[{"data":1,"prerenderedAt":71},["ShallowReactive",2],{"artwork-lady-in-violet":3,"artwork-order":58},{"id":4,"title":5,"body":6,"description":39,"era":40,"extension":41,"fallbackImage":42,"featured":43,"focusX":44,"focusY":45,"image":46,"location":47,"medium":48,"meta":49,"navigation":50,"order":38,"palette":51,"paletteMode":52,"path":53,"seo":54,"stem":55,"year":56,"__hash__":57},"artworks\u002Fartworks\u002Flady-in-violet.md","Lady in Violet",{"type":7,"value":8,"toc":33},"minimark",[9,16,20,23,30],[10,11,12],"eyebrow",{},[13,14,15],"p",{},"Contemporary · 2023",[17,18,5],"h2",{"id":19},"lady-in-violet",[13,21,22],{},"Violet is the colour that argues. It will not sit beside a warm shadow without insisting on something, and the painting was a long negotiation with that insistence. The figure came easily; the colour around her took most of a winter.",[24,25,27],"callout",{"type":26},"quote",[13,28,29],{},"I do not paint the sitter. I paint the temperature of the air between us.",[13,31,32],{},"The reproduction is deliberate — a second pass at a picture that had been solved once and then forgotten, to see whether the second solving would be kinder or only different. It was both.",{"title":34,"searchDepth":35,"depth":35,"links":36},"",3,[37],{"id":19,"depth":38,"text":5},2,"A study of a figure and a colour that would not behave — kept until the violet finally sat down and stayed.","Classical","md","\u002Fimages\u002Ffallback.jpg",false,50,12,"\u002Fimages\u002Fartworks\u002Flady-in-violet.jpg","Christy De Lys Studio","Oil on canvas",{},true,[],"auto","\u002Fartworks\u002Flady-in-violet",{"title":5,"description":39},"artworks\u002Flady-in-violet",2023,"o0BhYrWPmiuuVZ6hn65NCGj6jdLO4JNHcim0DkFLjwg",[59,63,64,67],{"path":60,"title":61,"order":62},"\u002Fartworks\u002Fdaisy","Daisy",1,{"path":53,"title":5,"order":38},{"path":65,"title":66,"order":35},"\u002Fartworks\u002Frose","Rose",{"path":68,"title":69,"order":70},"\u002Fartworks\u002Fyoung-girl-with-a-doll","Young Girl Holding a Doll",4,1787607221898]